As far as moments in publishing go, the launch of Pottermore is massive. But what makes it momentous is that, for the first time in contemporary publishing, an author has dictated to the biggest names in book-retailing. To put not too fine a point on them, she has told Amazon, Apple and Barnes and Noble exactly where they can shove their DRM. That kind of authorial power is rare and truly magnificent in its scope.
The watermarking system of the Potter books is a much nicer approach to treating readers like trustworthy human beings rather than the Draconian (mm, puns) hammerlock of DRM. If the book is pirated, it can be traced. It’s probably more effort than its worth but at least Rowling is not treating her readers like criminals. I have discussed book piracy before, and my friends have offered superb links in the comments thread there, so this is an interesting and refreshing approach to DRM.
To be fair, there are maybe ten authors alive that could pull off something as big as this. My bet would be that if James Patterson, Danielle Steel, Jeff Kinney and that ilk decided to get their own online stores and sell their books directly, there’s not much outside a watertight publishing contact that could stop them. And big money means big lawyers to break those contracts. So where does that leave the humble bookseller? And publishers?
For booksellers, the doom and gloom is unnecessary. Most authors don’t have the wherewithal to be able to bypass the retail chain. Honestly, JK Rowling is a rock star amongst writers. The Telegraph shares these facts:
69 Different languages that the Harry Potter books have been published in.
400 million Copies estimated that the Potter books have sold worldwide. It is considered the fastest selling book of all time.
200 Countries in which the books have been published.
Her record-breaking sales and allure as an author gives her power that 99% of the world’s authors do not have. The reason self-publishing hasn’t been able to put a dent in the publishing world at large is because publishers still give authors a platform and help they would not have alone. (Selling your own books is much like door-to-door insurance selling. Thankless, tedious and with pitiful payoff.) Amanda Hocking and the untalented EL James of Fifty Shades notoriety are still the only examples of self-published authors gone big. Rowling had to start with a publisher. Now she has outpaced them and given something back to her incredibly loyal readers.
I like to see this momentous occasion as a wonderful snub to the big baddies in book retail. It is remarkable to see an author empowering her readers by treating them like people. The books are fairly priced at R90 and can be bought with South African credit cards. This is a great time for readers, and inspiring for other authors. No doubt, the publishing industry needs an overhaul. It still screws the authors, and the book retailers screw the buyers. This is a brave new world of author power; I can’t wait to see what happens from here.